Academic (A sample)

Campbell, Mark V. (2022). Afrosonic Life. Bloomsbury  Academic. 

Campbell, Mark V. (2020). Art for Our Sake Art for Our Sake: Creativity and Humanity 

in the African Diaspora IdeaLab Reflection Paper for CCUNESCO.

Campbell, Mark V. (2014) “Scratch, Look and Listen: Improvisation and Digital DJ Interfaces” in Journal for Critical Studies in Improvisation. V.10 #1

Campbell, Mark V. (2018). Hip Hop Archives or an Archive of Hip Hop? A Remix Impulse. Public: Art| Culture| Ideas.  57. Summer pp. 68-79

Campbell, Mark V. (2019). “Harden” S/X Salon 30. Available at: 

http://smallaxe.net/sxsalon/discussions/harden

 Edmonds, P & Mark V. Campbell (eds.) “Opacities” MICE 4, 2018 available at: 

http://micemagazine.ca/issue-four

Campbell, Mark V. Sonic Intimacies: On Djing Better Futures. 

Decolonization, Indigeneity, Education & Society. March 25, 2015. Available athttps://decolonization.wordpress.com/2015/03/25/sonic-intimacies-on-djing-better-futures/

Campbell, M. (2016). Control This! Digital Improvisation and Pedagogy.

A. Heble & M. Laver. (In eds.). Jamming the Classroom: Improvisational Pedagogies and Community Impact. Durham: Duke University Press.

Campbell, Mark V. (2012). The Gwannings in Eds. Carl E. James and Andrea 

Davis. Jamaica in the Canadian Experience: A Multiculturalizing Presence. Halifax: Fernwood.

Campbell, Mark V. (2012). “Hardly Home but Always Reppin’.

Remembering Black Human Worth, Remembering Dr. Clyde A. Woods.” Antipode Online: A Journal of Radical Geography. Available at: http://radicalantipode.files.wordpress.com/2012/12/woods_2_campbell.pdf